We should be thankful we live in an age that appreciates the wisdom of interconnected; the kind of thinking that appreciates the largeness of life and the interconnectedness of things. After this holistic wisdom was deemed irrelevant and then forgotten by the mechanical and efficiency-focused industrial and post-industrial age, we finally arrive at this stage where the thirst to rediscover and reconnect forgotten meanings is obvious and blossoming.
Astronomers write poems, musicians are inspired by maths, artists reinterpret physics. The sciences and the arts are merging into one, returning to its essence; nature that is hoped to be studied and experienced.
Below are three ladies of space we are currently sharing the world with who courageously put science as seen through the lens of compassion, not as a tool for relentless ambitions.
Continue reading “The women with life-long love affairs with space”
What’s behind the night sky? Against this dark backdrop there hides millions of luminous stars and galaxies that tells stories of our universe. Stretching our imagination into the edges, the dark night sky is a blank canvas to paint our meanings of existence. There, underneath this infinite and immeasurable heaven, we look up and ponder who we are, which is then responded with a graceful silence from the sky.
In 1977, in the midst of Cold War, the Voyager 1 was sent to the outerskirt of our solar system, while carrying a piece of humanity, The Golden Record. Led by Carl Sagan and Annie Druyan, this gold-plated copper disc recorded 115 images and various sounds, and music from the world; a naked photo of a man and a woman, the sound of a kiss, welcomes from 54 different languages and a humpback whales, music from Johnny B. Goode by Chuck Berry to Bach’s Partita for Violin Solo no. 3. The only thing is, after traveling for nearly 50 years, Voyager will lose its source of energy and no one knows exactly what’s coming afterwards. Perhaps it will be caught and flung away by another gravity force, or discovered by another spaceship thousands of years in the future. But we will lose our communications. And the Golden Record, attached on the ship, will afloat indefinitely in the midst of interstellar space.
Continue reading “What’s behind the night sky?”
Nietzsche’s God is Dead is perhaps the single most provocative statement that permeates common understanding and makes every young and modern atheist drool like Pavlov’s dogs. Used in pop cultures like worn out concert tees enduring ages of torments and misunderstandings, this statement sparks debates or ends discussions when done by folks who are unfamiliar with the context.
In Nietzsche’s 1882 collection The Gay Science, he proclaimed “God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers?” after seeing that god and religion had been killed by science. The post-enlightenment era saw the dawn of a new thinking where humans get to decide who they are and what their purpose is. At least, that was how scientific explorations put us in perspective against the unbiased, vast universe. Yet humans, small and fragile, lose meanings altogether, falling into a dark existential crisis where the purpose of life feels so distant and detached to our everyday life. And while juggling between the ambitious scientific pursuits and the quiet pull of the solitary minds, we feel the heavy agony of finding meaning unto life without a meaningful death. Continue reading “On Nietzsche’s God is Dead”
Apparently, melancholy was a dark fluid circling through our body. At least that was what the Greeks think. Besides melancholy, there was also joy, lethargy and sensitivity, and anger. The inherent dogma, that sadness is a hormonal imbalance in the body, persists throughout the modern age under various clinical depression names. Despite this truth, we are reluctant to admit sadness in our life, assuming it as the enemy in today’s obsession to a “fulfilling life”.
Just a few days ago, while lounging on a chic-tropical terrace of a Peruvian restaurant in the middle of Ubud, as the sunlight made its dramatic come down against the palm trees, the slow drag of sadness came unto me. Indeed there is something about afternoons that’s distinctively melancholic. I refused to look at my phone since noising out sadness gives more sadness. So as the sadness sits there in front of me, I thought, what should I do? And it occurred to me that we are never taught how to embrace sadness. Should I think, should I feel? That’s the first question. Then, should I stay silent or do something? Should I listen or should I speak? I froze on what to do. All while sadness sips black bitter tea next to me. Continue reading “Oh darkness my old friend”
Aah, the oldie-goodie of writing on a piece of paper with pen. It brings me back the memories of being a student, jabbing essays after essays, exams after exams on paper, for two hours or so. The wrist gets tired. But the flow you’re getting pushes you all the way to the end of your essay, fast. It’s a bit more unimaginable now to think of pulling out an essay, handwritten, on a topic you may not love, within just two hours. I’d get nervous! So cheers to that Flow. Because this ecstatic flow isn’t something that comes by as easily now that we have the more convenient option of a laptop, delete, and move.
People are coming up with questions such as how can I write faster. Because you know, now we have to write content for the web. The more the merrier. Forget thoroughly researched a topic. All you need is a solid idea and an authoritative tone and an article published once a week. Continue reading “Got thinking paralysis? Write with a pen”
If the city is a language spoken by walkers, then a post pedestrian city not only has fallen silent but risks becoming a dead language. Rebecca Solnit, Wanderlust
Should we walk? Ask no one in Jakarta, ever. The answer will be replied with a gasp, a jolt, a furious face, a standing applause of some sort as if walking is a rare activity we do. But isn’t it?
For most of my life (that is, from a baby till high school), walking is an act reserved only to those who can’t obtain a car or a motorbike. It’s savage, dirty, tiring, sweaty. To walk from my home to a nearby mini market under the sun is to waste your time while laughing at yourself really. So I practically never walked from point A to point B all the way until high school.
That is, until I went to San Francisco and spent hundreds of hours on the streets that it becomes an extension of my home. Continue reading “Should we walk?”
In Wanderlust, a book solely explores the experience and the ideas of walking, Rebecca Solnit wrote a single line of narration at the bottom of the page that goes horizontally across all pages towards the end. Unable to skim, one needs to walk with the line, one page at a time, one step at a time, towards the end; a reading done with two pairs of eyes walking along the designated path on a designated journey set up by the writer.
The writer, too, walks the path, first exploring and studying the weeds of thoughts, then trimming them down into a beautiful concrete pathway to welcome the readers. Along the process are a stumble, a balancing, and an act of mediating and meditating with the body, the mind, and the Earth.
“Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord.”
Continue reading “Writing is walking”