“Imagination is more important than knowledge,” said Einstein; the man who endured years of telescoping into the unknown and meddling in the invisible fabrics of the universe, the mathematics and physics. We often disconnect math and the arts; the pure and the imagination; the objective and the subjective. Yet math, in the hands and minds of Einstein, came a bit like this: after hours and hours of rumination on math, he took violin breaks, and a little mathematical blessing comes in between the sweeping notes of music.
To anyone who assumes that different study fields are in separate pedagogical boxes; bless them, because they need to know Einstein’s idea of combinatorial creativity.
Einstein himself was never a child of prodigy. He not only skipped classes but grew to lament the German authoritarian school system that later defined his philosophies in learning. From elementary school to his university life, he picked and chose what he wanted to learn from the system. And the rest, he diligently studied at home by himself. Indeed, Einstein loved and much preferred self-learning and self-exploration ever since his uncle brought him books on math and sciences. In fact, he started tinkering with the idea of moving as fast as light –the seed of his groundbreaking special theory of relativity — at the tender age of 17 years old, when he had access to one of the best physics lab and a generous support from the more relaxed education environment in Switzerland.